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Daadi Cool – Purushu x Vekkey feat. Himalaya Men Face & Beard Wash

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Because You’re Wild

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The post Because You’re Wild appeared first on Purushu Arie.

What To Do When Brands Don’t Pay Bloggers In Time?

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I’ve been a blogger for eight years now – which is probably seven years of running behind payments and probably one year spent into actual blogging. It’s rather usual for brands to delay the payments by a day or week or even two but it’s a different headache altogether when they don’t respond to your repeated enquiries over three months and even worse – come up with vague new payment timelines with every payment enquiry you make.

So what can be done when brands don’t pay bloggers in time?

 

MORE EMAILS

Keep sending the mails. Don’t hesitate to follow up on twice a week basis or even daily basis if the delay extends to months.

 

TAKE IT UP WITH THE COMPANY SENIOR OFFICIALS

Google up the agency’s CEO or founder or any other superior managers. Shoot an email explaining the situation.

 

PUT IT UP IN PUBLIC DOMAIN

In 2014, when I was working in Mumbai, I faced a situation with a Bangalore based media management company who ignored my emails for several months. I was left with no choice to put up the entire conversation on blog and tweeted the link to the company’s Twitter handle. IFB community retweeted that story followed by several other retweets. A phone call from the company’s founder woke me even before my 9-o-clock alarm next morning. Her exact words were: Please tell me how much I must pay to get the story removed from the web. I simply demanded my payment which was stalled for months and finally removed the story on her word. I felt bad that someone else, probably much older than me, probably much more experienced and renowned in her field of work… had to apologise to me for somebody else’s incompetence at work. The payout was credited within hours!!!! MAGIC!!!!

 

LEGAL ACTION

That’s the unfortunate last resort but you really don’t have much options when some big brands take independent fashion bloggers & freelancers’s time and effort for granted, and think they can get away with it.

Today brand-blogger collaborations come from few hundreds to millions. Regardless of budget, it’s an absolute shame that bloggers and freelancers even need to go begging what they rightfully earned.

 

Update: This article was listed among top 20 fashion blogs of the week by Independent Fashion Bloggers community. Read all the stories below:
Links à la Mode, Dec 7, 2017

SPONSOR: Amazon’s Shopbop Veronica Beard, Milly Bags, DVF Booties, Contempoh, TIBA + MARL, Dr. Martens, Mini Bucket Bags, Drop Earrings, Bell Sleeve Dresses, Men’s Theory

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Fashion History: The Ancientwear We Still Adore

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When we think of what’s stylish, there’s almost always a cutting edge component to it. What’s stylish is always either a new innovation or recycled trends. A new colour pigment is invented? Watch it endorsed on a celebrity, announced as the next big trend & trickle down and later die, by when the colour shade has brought in enough money. Trends are announced via magazine covers, online catalogues, lookbooks, and we embrace fashion because it’s new or reworked on the old. We even have a word for old trends that come back around, so that we can keep them from being merely old; we call them vintage.

 

Vintage trends not only slow down fast fashion but are often durable to be passed down for generations, less harmful on environment and is a wonderful channel to protect heritage techniques and culture. What likely doesn’t cross many of our minds, however, is that some of the most commonplace clothing items and stylish accessories of today are actually inspired by or derivative of truly ancient attire. Of course, in a way all clothing has built on the past, from the first animal skin wraps to modern jackets from Patagonia. But there’s more direct inspiration in some of the items we take for granted today. Consider some of the following examples.

 

Pearl Necklaces

The pearl necklace is one of the most universally adored accessories in fashion. It has been around for longer than most would care to guess, and is viewed as a desirable item for any jewellery cabinet. But it may surprise some to learn just how far back the idea of pearl accessories goes – far deeper in the history books than queens and princesses of Europe. One modern jewellery company notes that pearls were used in jewellery at least as far back as ancient Greece, and many would suggest much further. For instance, even some Hindu scriptures remark upon pearls as precious items in the eyes of the god Krishna! It seems that aside from (broadly speaking) gold and silver, pearl jewellery is among the world’s oldest and most unchanged style items.

 

Tigran Avetisyan SS14

Hooded Sweatshirts

If you were to look up the history of hoodies, or hooded sweatshirts, you would likely find a wholly inadequate tale about the sportswear brand Champion “inventing” the item in the 1930s, for workers in New York. Non-conforming hoodies, often oversized, are among the few trends to trickle up from the lower economic sections in recent times – but the idea of hooded sweatshirts dates back about as far as any kind of traditional clothing in history. One fascinating write-up of Viking clothing, for example, mentioned that there were at one point laws forbidding people from stealing the hats off of other people’s heads – with the penalties being harsher if there were chin straps attached. Perhaps because stolen hats were evidently a problem, “hottr” were invented to cover the head in foul weather. These were essentially ancient hoodies.

 

Cuff Bracelets

Cuff and bangle bracelets are always popular fashion items, particularly in the spring and summer. And these items come not from modern jewelers, but, historically speaking, from the rulers of ancient civilizations. Think about every interpretation of an Egyptian queen or princess you’ve ever seen: they are always clad in gold virtually from head to toe, and always with broad cuffs on their wrists. It’s true in films, in storybooks, and in artistic representations of the area. A game called “Queen Of Riches” currently exemplifies the trend online. Teasing that Cleopatra herself will appear, it’s a game decked out in Egyptian symbols, and gold rings, bangles and the like are all over it. Naturally the items have changed over time, but we probably owe this whole type of jewelry to ancient Egypt.

 

Fur Boots

It’s perhaps less surprising the fur boots have been popular throughout much of human history, because at the end of the day they’re practical. Natural fur boots are also eco-friendly and less harmful to mother earth as compared to synthetic faux fur. In ages when humans had to fend off nature and weather more directly, fur boots could likely have been the difference between health and sickness, or even survival and death. Still, it’s almost amusing that we look at a company like Uggs as having done something new when we consider just how old the concept of fur boots is. According to one history at least, the oldest known depiction of boots comes from a cave painting in Spain, dated to 12,000 BC or older! It distinctly shows a woman wearing fur boots – perhaps making this the single oldest footwear fashion “trend” in the world.

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Giveaway – Purushu Arie Gender Neutral Clothing Worth INR 11,000

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David Foster Wallace This is Water

 

Time only seems to slip by like water. Living is merely building bridges to tomorrow, and perhaps burning down a few. Today is the bridge to tomorrow. This is water. David Foster Wallace’s words, one of the greatest commencement speeches ever, was something new I stumbled upon this year and yep, we’re two lost souls swimming in a fish bowl year after year. And as another year is set to bid adieu, we have to keep reminding ourselves over and over: This is water. This is water. This moment is a span we carry for a lifetime.

 

It’s almost a decade now since I first stepped inside the NIFT New Delhi campus and at this moment ten years feel real fast. It took around four years since graduation to set up my fashion label and four years feel real long. Our sense of scale of time is as mercurial as what lies ahead. Earlier this year I set myself a vision to celebrate individuality by proposing neutrality of race, age, appearance and every other cultural conditioning and differences through my art. And with that vision, I launched Purushu Arie gender neutral fashion line, where the clothes don’t carry a menswear or womenswear tag. The significance of what’s drained and what’s earned from launching the label has been immense on me. I singularly foresaw every work from redoing the website to cutting and stitching every sample and it was a considerable experience this year.

 

The queries in response to a gender neutral fashion label are inexhaustible but I bother to explain every time. For a society which lays down profound rules of gender norms & roles, my lookbook merely features a muscular man wearing women’s clothes. Why is he wearing women’s clothes? These styles will look great on women. Maybe. But they can look just as great and functional on a man too. Explaining gender neutrality in a gender-normative society is a never ending process but that’s something I’ve knowingly or unknowingly signed up for – dialogues & discussion. Dialogues can potentially lead to reforms. Post-Genderism: A Non-Binary Gender Neutral Revolution Facebook group was launched with an intention to discuss, learn, inspire, encourage and help one another to look beyond the binary notion of gender.

 

In case, it still doesn’t ring a bell, read these for starters:
Post Genderism Terminology & Etymology
Why We Wear What We Wear
Hegemonic Masculinity & Emphasized Femininity

 

Purushu Arie Gender Neutral Fashion

Gender neutral fashion is a simple idea where gender norms & roles don’t influence your style. With New Year festivities around the corner it’s your chance to have something new in wardrobe – I’m giving away two Purushu Arie gender neutral styles worth INR11,000. Please find the rules/guidelines below:

  1. Tag a Gender neutral ally on Facebook or Instagram post.
  2. Giveaway is open only to follower of Purushu Arie on Instagram (@PurushuArie) or Facebook (@PurushuArie)
  3. People living in India are eligible to participate.
  4. The contest will end at 11:59PM, 12th January 2018.

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Diversity Report: Representation of Women in Indian Fashion Magazine Covers in 2017

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Fashion magazines, guilty of a very ugly past have appropriated empowerment & ethics in recent years. Back in April 2010, Vogue India’s cover titled The Dawn of Dusk was covered in large-scale media as the most prominent voice in India against beauty ideals and prejudice. “ELLE stands for: diversity, inclusiveness and empowerment” reads the magazine’s description. How well has the leading Indian fashion magazines fared in putting their words to action? Here’s the diversity report of representation of beauty and women in Indian fashion magazine covers in 2017.

 

Magazines Analysed: ELLE, GRAZIA, HARPER’S BAZAAR, VERVE & VOGUE

 

TOTAL NUMBER OF WOMEN REPRESENTED: 72

Total Women 0

  • VOGUE: 21 Women / 5 Men
  • ELLE: 12 Women / 0 Men
  • GRAZIA: 16 Women / 1 Man
  • HARPER’S BAZAAR: 12 Women / 0 Men
  • VERVE: 11 Women / 1 Man

AVERAGE AGE: 33

YOUNGEST 5:

  • Madhulika Sharma, Model, Age: 19
  • Navya Nanda, Grand-daughter of Bollywood actors, Age:20
  • Lottie Moss, Model, Age: 20
  • Urvashi Umaro, Model, Age: 20
  • Kendall Jenner, Model, Age: 22

OLDEST 5:

  • Iris Apfel, Businesswoman & interior designer, Age: 96
  • Jaya Bachchan, Actor, Age: 69
  • Sridevi, Actor, Age: 54
  • Nita Ambani, Businesswoman, Age:54
  • Padma Lakshmi, Model turned TV Host, Age: 47

 

REPRESENTATION OF DARK/BLACK SKINNED WOMEN: ZERO

COLONIAL WHITE SKIN HANGOVER?

  • Light Skin

  • Brown Skin

  • Dark Skin

Light Skinned Women: 46 (of total 72) or 64%

Brown Skinned Women: 26 (of total 72) or 36%

Dark Skinned Women: 0 (of total 72) or 0%

 

PERCENTAGE OF LIGHT SKINNED WOMEN

Verve 0

Grazia 0

Total 0

Vogue 0

Elle 0

Harper's Bazaar 0

100% of the foreign origin women were white skinned.

INDIAN FASHION MAGAZINES CHASE GORA MEMSAABS WHEN THE COVER STAR IS FOREIGNER OF NON INDIAN DIASPORA.

 

UNREALISTIC BODY IDEALS

50-60% WOMEN ARE PLUS SIZE IN REAL LIFE WHEREAS 78% INDIAN FASHION MAGAZINE COVER GIRLS FEATURED SLIM/SKINNY/PETITE BODIES.

0% PLUS SIZE WOMEN WERE FEATURED IN INDIAN FASHION MAGAZINE COVERS IN 2017.

  • Slim

  • Medium

  • Plus Size

  • Pregnant Body

ONLY VERVE MAGAZINE FEATURED MORE WOMEN OF MEDIUM BUILD BODIES (6) THAN SLIM/SKINNY/PETITE BODY (5).

 

ELLE

  • Slim

  • Medium

  • Pregnant

 

GRAZIA

  • Slim

  • Medium

 

HARPER’S BAZAAR

  • Slim

  • Medium

 

VERVE

  • Slim

  • Medium

 

VOGUE

  • Slim

  • Medium

 

 

ARE SUCCESSFUL STYLISH BEAUTIFUL INDIAN WOMEN FOUND ONLY IN BOLLYWOOD?

PROFESSIONAL MODELS, THE REAL BODY & FACE OF FASHION INDUSTRY (REPRESENTING A MEAGRE 26% OF THE COVER GIRLS) WERE SIDELINED TO BOLLYWOOD LOBBY (62.5% OF ALL COVER GIRLS).

  • Bollywood

  • Model

  • Actor (Non-Bollywood)

  • Sportsperson

  • Businesswoman

  • Architect

REPRESENTATION OF BOLLYWOOD WOMEN*

*Includes daughters & wives of Bollywood stars featured on the cover.

  • VOGUE: 76% 
  • ELLE: 58%
  • GRAZIA: 69%
  • HARPER’S BAZAAR: 33%
  • VERVE: 63%

NEPOTISM MUCH? 1 OF EVERY 2 BOLLYWOOD WOMEN FEATURED ON VOGUE COVER ARE STARKIDS BORN INTO BOLLYWOOD FAMILIES. 

REPRESENTATION OF NON-BOLLYWOOD INDIAN ACTORS: ZERO

 

REPRESENTATION OF WOMEN FROM NORTH EAST INDIA: ZERO

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Mustache Under My Nose-Ring #PurushuAriePeople

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Class & Caste Politics of Ponnadai/Thundu (Shawl/Towel)

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THE GOLDEN CLOTH

PONNADAI

noun

A traditional silk weave wrapped over shoulders to honour dignitaries.

Origin: Thamizh, Ponn (gold) + Adai (cloth)

Former Tamil Nadu Chief Minister O. Panneerselvam felicitating Prime Minister Narendra Modi with ponnadai.

Former Thamizh Nadu Chief Minister O. Panneerselvam felicitating Prime Minister Narendra Modi with ponnadai. Image: O. Panneerselvam

 

Christopher J. Nassetta, president and CEO, Hilton Worldwide with the Ponnadai to honor dignitaries at Hilton Chennai.

Christopher J. Nassetta, president and CEO, Hilton Worldwide with the Ponnadai to honor dignitaries at Hilton Chennai. Image: ©Hilton Honors

Carnatic music guru Chitravina Narasimhan honoured with ponnadai.

Carnatic music guru Chitravina Narasimhan honoured with ponnadai. Image: Mylapore Times

So far, the ponnadai (teamed with bouquet) has been the numero uno choice to welcome dignitaries in Thamizh Nadu. From politicians to musicians and even businessmen, any guest worthy of warm respectful welcome poses for the shutterbugs in bling struck silk ponnadai, often featuring elaborate brocades. A ponnadai can cost anywhere from few hundred rupees to thousands. Several lakhs are spent on ponnadais during election season alone in Thamizh Nadu and a similar stellar budget is allocated for these shawls by sabhas during music season in the state. According to The Hindu, Sri Krishna Gana Sabha, for instance, spends, on an average, Rs.20,000 for the season alone and another Rs.60,000 for the events it conducts round the year.  What happens to these shawls once the dignitaries are done posing for the photographs? “They’re probably sent back to the store,” laughs off Shabbir Ahmed, TN Bureau Chief, Times Now.

“There was a theory some years ago that the shawl draped around you today is perhaps a second hand one, something an earlier recipient disposed of in the flea market. I am informed by a very reliable source that this is standard practice in the film industry,” cites a Deccan Chronicle report. Handing out used shawls without the knowledge is an atrocious insult to the innocent guest. Even otherwise, what use can the ponnadai be put to other than the receiver giving it away? Chennai’s former Mayor M. Subramanian reportedly distributes all the ponnadais to slum-dwellers before Pongal. Violinist Kunnakudi Vaidyanathan has said in public forums that he makes kurtas out of ponnadai.

The ponnadai is rather new addition to the glorious Thamizh culture which spans over several thousand years. For a large part of history, men and women in India predominantly left the upper body uncovered owing to comfort in hot and humid weather. The concept of covering the torso was prominent only among the elite upper caste individuals who could afford the clothing. In history, the elite Brahmins of Thamizh Nadu wrapped their shoulders with a single piece of cloth known as angavastram (body-garment). Like in many other cases, the costume was reserved only for select upper caste sections till modern Indian history.

Costume of jewellers in Madras, British India. Photo: Indulge Express

Upper caste jeweller wearing shawl in Madras, British India. Photo: Indulge Express

 

Thamizh Brahmin priest wearing Angavastram

CASTEIST ELITIST ROOTS

The thundu/ponnadai culture didn’t gain prominence in Tami politics till social reformer Periyar Ramaswamy publicly called out the caste dichotomy involved in the clothing practice:

In the 1940s, Dravidian movement founder EV Ramasamy was invited for a music function. The artist who was playing the Nadaswaram was sweating profusely and was wiping his face often with a towel that he had kept by his side. After some time, the Nadaswaram player got sick of picking the towel and placed it on his shoulder for pure convenience. Now, the sponsor of the show, an upper caste zamindar of the area, was offended by this defiant act of the lower caste nadaswaram artist. He openly and loudly ordered the musician to remove the towel from his shoulder.

EVR, a social reformer, condemned the zamindar’s attitude and walked away. The next day on, Ramasamy requested all Dravidar Kazhagam members to wear a thundu (towel) in protest against the upper caste attire of angavasthram (a long ornamental towel).

Excerpt from India Today

 

Following this instance, Periyar and fellow Dravidian ideologues chose to wear the common man’s thundu, a traditional cotton towel with kara borders in protest against the elitism inherent in angavastram clothing. From there on, towels/thundu emerged as the raging iconography of Dravidian politics that vehemently opposed Brahmanical supremacist hegemony. Everyone from Periyar, Anna, MGR, Kalaignar to contemporaries like Vaiko have worn kara veshi and kara thundu.

Kalaignar Karunanidhi (left) & MGR (right) wearing "thundu" - The Dravidian political iconography of protest against casteism & elitism. Image: Frontline & Outlook

Kalaignar Karunanidhi (left) & MGR (right) wearing “thundu” – The Dravidian political iconography of protest against casteism & elitism. Image: Frontline & Outlook

 

LOST IN TRANSLATION

The thundu which once stood for equality was soon unfortunately hijacked by political class elitism. The humble towel became a tool to acknowledge political class hierarchy where party cadres and workers were given simple cotton warps whereas the top leaders and dignitaries were welcomed with expensive silk variations – the ponnadai. Today, the ponnadai is not only dubbed useless but is an inglorious celebration of political class hierarchy in Thamizh politics.

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Finding Gucci Turbans & Hijabs offensive? Breathe in, breathe out & CHILL!

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Tom Ford’s Gucci offended people back in late 90s for excessive skin & sexuality. In twenty-something years time, Gucci continues to offend people, this time for doing the polar opposite – covering up even the hair & neck. The turbans and hijabs at Gucci FW18 took the Twitter by storm on myriad of charges ranging from hurting religious sentiments to appropriating cultures. The range of criticism was almost as vast as the cultures that went into Gucci’s winter 2018 range that dealt with reconstruction of identities and self-regeneration in the tech-savvy era.

HIJAB & TURBANS – NOT JUST EASTERN

The custom of wearing turbans or veiling the head precedes the origin of both Islam and Sikkhism itself.  Orthodox Jewish women & Christian women veiled their faces & covered hair even before the practice gained significance in Islam.

Head coverings in different cultures across the world.

(Left to Right) Top: Gucci FW2018, Bottom: Roman Vestals, French queen, Anna (Anne) of Kyiv & Jewish women’s wrap (izar) and face veil (khiliyye)

 

Turbans from myriad of cultures: (Clockwise) Sikh turban at Gucci FW18, Native American turban, African turban, Indian-Kutch style turban.

Turbans from myriad of cultures: (Clockwise) Sikh turban at Gucci FW18, Native American turban, African turban, Indian-Kutch style turban.

However hijab & Sikh turbans aren’t any other head-covering, but a cultural costume with religious significance. Amena of Fashionopolis states that Hijab is not just Eastern, it is Islamic. “Islam as a religion may have originated from the Middle East but it is spread across the globe,” she clarifies. Amena, a non-hijabi practising Indian Muslim makes it clear that Hijab doesn’t just belong to brown skinned Middle Eastern natives but to Muslims of every nationality, ethnicity & colour – including white.

I don’t believe that a Punjabi Sikh girl wearing hijab or Muslim man wearing Sikh turban will raise eyebrows but Alessandro Michele’s Gucci vision – white people in turban – That has offended the internet. It almost sounds like even at least two actual Sikh models could have actually balanced the model casting with styling. But what if Alessandro Michele’s vision was to actually showcase WHITE people in turbans/hijabs and NOT brown people? He has every right to his artisanal vision.

OFFENSIVE TO RELIGIOUS SENTIMENTS?

In fact, I couldn’t help but wonder if Alessandro Michele just included a bit of every religion to see which religion is offended the most? For those who are still clueless, Hindu Goddess Kali used severed head as an accessory for photo-ops much before Gucci did. The third eye was yet another reference to Hindu origin philosophies. Drawing elements from clothing of Sikkhism, Islam, Judaism, Christianity and Hinduism, there was a bit of every religion at Gucci.

Possible Shiva-Shakthi inspiration at Gucci FW 2018?

Possible Shiva-Shakthi inspiration at Gucci FW 2018?

 

Religion has always influenced fashion. We have Shiva tshirts, Om pendents, (Hindu) Swastik print kurtas selling as uber cool mass-fashion in India. Religious art and iconography has inspired numerous collections on runways in West.

Religion on Runway - Left: Lord Krishna at Manish Arora, Right (top): Guo Pei Haute Couture, Right (bottom): Dolce & Gabbana

Religion on Runway – Left: Lord Krishna at Manish Arora, Right (top): Guo Pei Haute Couture, Right (bottom): Dolce & Gabbana

 

 

 

 

“Dear @gucci, the Sikh Turban is not a hot new accessory for white models but an article of faith for practising Sikhs. Your models have used Turbans as ‘hats’ whereas practising Sikhs tie them neatly fold-by-fold,” Tweeted a Sikh user.

 

The actual question however is: Does Sikkhism boycott white people from wearing the Turban as hot new accesory that aren’t worn neatly fold-by-fold? I’ve never heard such claims before.

 

LOST IN TRANSLATION?

Not giving the necessary credits to the respective indigenous cultures or misrepresenting that particular culture is one way to not appropriate culture. Hijab for instance represents modesty, not just physical aspect of how much skin is to be covered but psychological aspects too – simplicity in general. “A lot of hijabis do lead simple and modest lives. Women of all classes would buy them in different ranges. What acted as a unifier is the way they would wear it and their religious reasons,” explains Amena.

Ideally, expensive extravagant designer hijabs just don’t exactly represent the philosophies going into hijabi lifestyle. The core meaning of the religious costume is lost in translation. But is Gucci to blame? Nope, the hijab was distinguished on basis of class & price even before Western designers picked up the trend of minting money on Eastern cultures. “Even before D&G and other brands created hijab lines a wide variety of hijab in different price range were already available. Designer hijabs were always available. It is only now the global fashion industry wants to cash in on it.” says Amena.

 

GUCCI’S GENDER NEUTRAL VISION

It was a breath of fresh air that Gucci envisioned a gender neutral approach towards turbans & head covering as opposed to the sexist-disparities inherent in application in ground reality.

 

CULTURAL APPROPRIATION ISN’T ALWAYS INAPPROPRIATE

Cultures were always exchanged, and will be exchanged even more vigorously than ever before in Twitter era. Western brands need to learn to draw the line between representation & misrepresentation. People of colour need to chill with white people’s inclination towards our cultures.

Amena welcomes inclusivity of cultures like in case of Hijabi Barbie. “I welcome it. I feel representation is important and this goes a long way in helping normalise a culture that may have looked like alien for a long time,” she explains. Amena however quickly points out how it’s also important to not misrepresent the cultures. “With brands like D&G creating hijab lines, it makes hijab more mainstream and on some levels it does get misrepresented by elite section of fashion industry, especially by those who have no knowledge and understanding of Islamic culture. Yes, there is a lot of cultural appropriation of the hijab by western media and organisations. The worst is how they use it to stereotype a Muslim woman. I think they need to stop using hijab as an only symbol to show Muslim women,” she adds.

 

No single individual owns a culture but we all inhabit the cultures. However, misrepresenting cultural history is a tool to erase or alter cultural knowledge and expressions. It is important for cultural exchanges to happen on an even playground. Cultural Appropriation is portrayed in negative light owing to the plundering and exploitation of colonised cultures.

 

Roxanne D’Souza of HeadToHeels states, “I get the part where brown people especially in turbans are racially profiled and have faced problems because of their turbans, but I see this move as normalising it by putting it on a runway.”

 

NRIs/Indians might as well stop pretending like Western world is the only place where Sikh people or Muslims face discrimination. Crimes against Muslims have dangerously increased in recent years in India.  Bollywood has under-represented & made bigger caricature of Sikh people in past than Gucci ever did. There were more turbans on Gucci’s FW18 runway than the number of lead actors who ever donned one in Bollywood. To me, Gucci’s turbans are just as offensive as Ranbir Kapoor’s turban in the Bollywood flick Rocket Singh – no offence taken.

 

Eventually what every individual wants is personal freedom to live life on their terms. We achieve that personal freedom by standing up against cultural moral policing, not by dictating what a white person should wear or not wear. I am an Indian who is glad to be an individual raised with multi-cultural values. And white people, please don’t hesitate to wear the sari if that’s your choice, pretty much the way I wear shirt & trousers, because: my choice. In a world where we are building walls, it is art and culture that binds us together.

 

UPDATE: The following article was listed among Independent Fashion Bloggers community’s top 20 blog posts of the week March 1st, 2018. Find all the links below:

Links à la Mode, March 1st, 2018

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SPONSOR: Amazon’s Shopbop, Yumi Kim, Self Portrait Dresses, Tory Burch Totes, AO.LA, PH5, EDIT, Circle Bags, Slip On Sneakers, Hoop Earrings, Men’s Fred Perry

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Custom Portraits by Purushu Arie

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Beyond Binary

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#AskPurushu

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When I compared the fee structure of fashion colleges across India a decade ago, NIFT clearly stood out with the best balance of quality and money. NIFT, being a government autonomous body admits students from myriad of socio-economical backgrounds, including reservations for not just the socially under-privileged sections but even the elite communities through management/NRI quota. I found myself amidst vast socio-economical diversity – from millionaires of Delhi to students who on vacations, returned home to remote villages. I faintly remember reading in Shefali Vasudev’s Powder Room that Rahul Mishra made it big from very modest backgrounds, a mud house in a village near Kanpur. But that’s one amazing super-talented Rahul Mishra….  Indian fashion runways otherwise command an array of talented names, many from NIFT, often with surnames that boast social status & point to wealthy families. But how do students from financially under-privileged or middle-class backgrounds fare in the college? What’s the plight of young Lee McQueens and Rahul Mishras in Indian fashion colleges? What do they do after college?

 

MONEY BRINGS YOU MARKS AT NIFT

This is not always the case but it’s not uncommon either.  A prominent fashion designer, a regular at India Fashion Week in Delhi, was part of the external jury panel for the summer internship project I did in Bangalore. He literally asked me why my document was so thin (barely 50-something pages) when there were a few other assignment documents wearing the look of a telephone directory. Now he put that question to me even without going through the document, not even a rough flip. I bluntly told him I was financially broke, didn’t have the money to print as many pages (it costs about Rs.20-25 a side those days at Nehru place in Delhi) and hence compressed the same content in as many pages, it’s less cumbersome, friendlier to read & understand that way. Not that I ever expected him to buy those words but I was definitely curious to get a reaction from him – He gave me the dirts… And it turned out he also gave me the least grades. No surprise in that reaction. The marks at NIFT are often directly proportional to the thickness of the document, price of the material going into the assignments.

If not the money itself, putting in lots of time & detailing fetches you labour-sympathy marks. Regardless of how unoriginal/ordinary that idea can get, the fact that someone put in 127 hours of work on a 5marks fabric swatch makes the jury members wanna give them the whole pie when you’ll probably be graded a 3 or 4 because, the idea is great, whereas “execution” can be better – as if you’re trained to become a kaarigar (craftsman) in a factory. There was a clear emphasis on the hard work itself than ideas, imaginations or creativity during my five-year stay at the NIFT New Delhi.

In many ways, the students are trained to toil like sweatshop labours who can later serve the export houses that pimp our local labour to international labels at throw away prices.

It didn’t take long for me to connect the dots & fill the larger puzzle. It didn’t take long to not care for validation in form of marks as long as I could get my degree and flee the rotting bureaucratic ineptitude I found myself in.

 

RITUALS OF JUSTICE INACCESSIBLE TO STUDENTS WITHOUT POWER & MONEY

I was debarred from writing my last exam & my examination hall ticket was maliciously taken away by NIFT lab assistant without my knowledge before my last exam in my second semester at college in 2009. They literally hid it & asked me to collect it from the Delhi Center Coordinator Mrs. Usha Narasimhan. Apparently, there were differences held between Delhi centre & Head office on whether I should be given a chance to write exams since my attendance was 2% short of minimum req. 65% in a subject which was earlier covered up on medical credits since I missed classes due to typhoid followed by chicken pox in January 2009. By the summer, I had already written all the final sem exams and there was just one more to go. The centre coordinator of 1st year batch asked me to take the issue to the Director General of NIFT Mr. Rajiv Takru who was an IAS officer and tales were rife among students on how he apparently won’t entertain us as long as daddies are rich with political connect & predictably he didn’t entertain an audience with me even after writing 17 letters explaining my academic capability, how I was diagnosed with genuine health problems & how I still managed to finish my assignments & I deserved to give my last exam when I’ve already given all the other exams, for which I’ve put on extra efforts despite my health conditions. I would wait outside his office for weeks without food or water wondering who the fuck does this man meet if not students of this college? Phone calls, letters all in vain. The exams which I already gave, spending physical effort, time & money (NIFT assignments are expensive af), they were all scrapped. This meant my educational loan would be screwed, I wanted to drop out of NIFT, but I wasn’t financially equipped then to do even that. I joined NIFT Delhi with All India Rank 1 in my counselling & now I had a semester back & it was the first time as an adult that I genuinely considered suicide as an option to put an end to this fight happening on uneven power disparities. I had the courage to do it but it didn’t rationally make sense especially when it’s people who cared for me who’ll eventually be affected. I returned home. That’s when I said FUCK NIFT & these incompetent corrupt people running the college & wrote actively on Purushu Arie fashion blog to create a fashion realm of my own that’s unaffected by the powerful elites who love to put down & suppress students from less-fortunate economical backgrounds. Indian government run educational institutions are saturated with modern day Dhronacharyas who mercilessly chop the fingers of millions of Ekalavyas, while Arjunas buy their way up with political/economical/social power.

 

LOOP HOLES IN FINANCIAL ASSISTANCE

NIFT had financial assistance programs where they refund up to 75% of the tuition fee.  The paper work involved is somewhat elaborate and less favourable to students whose parents have salaried pay slip as opposed to someone with more independent channel of income and can quote Rs.50,000 as annual income while they meddle with iPhones, Mac Book & other expensive gadgets.

There are other financial schemes mentioned in NIFT websites and brochures, but I never managed to practically avail any those schemes because you simply don’t know who or where to avail it from, especially when one office points to another, till it boomerangs and you eventually lose patience and say: fuck this shit, I don’t have time to complete my assignments, forget wasting time with this tiresome game of musical chairs.

In fact, my refundable caution deposit amounting to some 4-5 thousands, supposed to be paid in 2013 right when I graduated is yet to be cleared as of 10th April 2018, in spite of phone and email enquiries to NIFT officials.  It’s a conventional sarkari office where you’ll have to wait forever but they’ll never ever have time for you. Beyond a point, I consciously stopped putting the time & effort to enquire that money, probably to write this NIFT insider story someday here in this blog.

I was kinda honourable young man back then who found it superficial to write letters to the same administration I was cynical of & distrusted. In some way, it was stupid on my part to care for honour. At NIFT you don’t play for honour, instead you play to survive.

 

OVER-PRICED FOR WHAT IT RETURNS

Are you wondering why that dude’s selling cotton saris for Rs. 80,000? The designer probably learned the art of over pricing from alma mater NIFT. NIFT is on par with what IIT is to engineering or IIM is to management in India. In fact, NIFT New Delhi is the only Indian institution to even feature in top 30-50 college lists in its respective field of expertise, and yet, the returns through campus placements in NIFT is nowhere in comparison to that of IITs or IIMs. Despite being a government run institution, NIFT is definitely a very expensive place to study at. The assignments are expensive, NIFTs don’t have a standard hostels or mess fees for educational loans to cover up the living/food expenses. In spite of shelling out a bomb for education, what you take back monetarily through campus placements at NIFT is very likely to be less than what your fellow engineering or doctor buddies probably do. NIFT students are largely placed in Indian retail houses or export houses where they’re mostly overworked and underpaid. A few wealthy kids manage to launch a label of their own after graduation, and the richest of the rich gets to lobby at fashion weeks, and a handful perhaps, who make it there on credits of talent.

 

FASHION STILL SAFELY IN CLUTCHES OF ELITEIST HEGEMONY

Because in India, it is easier for a Bollywood star-wife oblivious to the knowledge of apparel design to become a famous fashion designer than the students who actually clear national level entrance exams to study apparel design. You won’t see fashion designers announced as the next big actor at Filmfare awards. You see these model turned actors who’re not even great at acting will be advertised on “world-class” fashion magazines as the next big creative breakthrough in Indian fashion.

Fashion in India is merely a young micro-industry within the larger textile industry. Textile sector is the second largest employer in India after agriculture sector. Much like in agriculture, the core heart of textile sector lies in rural India and yet the fashion industry is pretty much contained within the monopoly of elite society of Delhi-Mumbai. Thousands of fashion students graduate every year in India but it’s not always the talented graduates but the ones with money who are largely welcomed & supported in the fashion industry, pretty much the reason why Indian fashion industry still largely draws parallels to silly sex filled free-booze gatherings than any substantial progressive innovations for the society.

It seems like NIFT is still the best and only bet for fashion aspirants from less-fortunate economical backgrounds in India and face the bitter music: Be extremely determined (& talented) and digest the fact that you need not necessarily be treated with the same fairness that the wealthy kids some baap-ka-naam will be treated. Life won’t be fair, 4 years will fly fighting, and it’s probably worth the effort if you desire so. Dhronacharyas who discriminate students on virtues of birth or wealth have corrupted instructions of knowledge & wisdom in India for years, but never ever let a small mind, regardless of age/social/economical status convince you that you don’t deserve what you worked to earn.

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5 Types of Plagiarism in Fashion Explained Through Diet Sabya & Desi Dior

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I was literally laughing out loud reading the captions of Diet Sabya. Only a week in prior, I had stumbled on Desi Dior calling out plagiarism in fashion. Given the popularity of Diet Prada, it was bound to be a trickle down phenomenon hatching into similar accounts in both nomenclature style (remember how every blog after Style Rookie happened was named “Style-Something”) & the idea of calling out knock-offs in general – that’s the natural flow of trend cycle. Unlike the copy-cats they call out, Diet Sabya and Desi Dior are much needed knock-offs (of Diet Prada itself) especially given the dilapidated state of domestic laws tackling plagiarism in fashion.

The narration styles of the two accounts vary – Desi Dior is authored from a more design perspective, where the witty commentary invokes production angles, like in this post “But just to not get caught they be like “Master ji lining nude nahi white de do, aur chote mote changes kardenaa”. 💁🏻‍♀️”  Possibly someone with first hand knowledge of production?

The sarcastic interview styled commentary and references to sourcing requests assures me that the minds involved in Diet Sabya are clearly aware of scenes in fashion editorial/styling and perhaps lot more. Regardless of my own irrational curiosity driven guesses (and the highly possible inaccuracies), the two accounts have induced freshness to desi Instagram fashion which was stagnant on #ootd clones for some time now.

Given my own history of pointing out copy-cats, it came as no surprise at being asked the question: Are you Diet Sabya?

No, I am not Diet Sabya.

Seriously, NO 😀

*Although I wish to send flowers to whoever they are 😀

When I tweeted images comparing Shantanu Goenka to Alexander McQueen, live from the show venue in 2011, a local Delhi media reported it was  a mere inspiration. Of course, merely changing the colours or slightly altering the existing motifs or merely subtracting out the elements they’re unable to recreate is how most patrons of plagiarism define “inspiration”.

MOSAIC PLAGIARISM IN FASHION

Mosaic plagiarism is a strategically done plagiarism where elements are tweaked around a bit like in Shantanu Goenka’s McQueen rip off which merely alters the colour palette while retaining the silhouette, placement of trims and embellishment.

Here’s a case of mosaic plagiarism where the colour & neckline is tweaked.

DIRECT PLAGIARISM

Probably the most shameful and laziest among the lot involving a point-to-point copy like in the case of this trench dress which happened when three Bollywood stars collaborated to convince the world of their fashion design skills.

More from the department of direct plagiarism…

 

SELF PLAGIARISM

Self-plagiarism can be unintentional repetition of signature style or intentional getaway when one feels lazy or probably runs out of ideas. Self plagiarism in fashion is apt in this Desi Dior post where Param Sahib who happened to work at Manish Arora ended up repeating the same Manish Arora x KOOVS motif for his signature label.

 

PATCHWORK PLAGIARISM

Patchwork plagiarism is very similar to mosaic plagiarism, just that the designer tweaks elements from more than one already existing designs. In case of patch work plagiarism in fashion, elements are often borrowed from archives of brands(.) This Huemn look which re-imagines from two different Margiela dresses: Tweak 1: Fasten the Margiela shirt collar on fabric of another Margiela reconstrucetd dress. Tweak 2: Substitute the voluminous Margiela sleeve twist (around waist) with slimmer band. Tweak 3: Add a voluminous collar to avoid viewer suspicion.

ACCIDENTAL PLAGIARISM

Accidental plagiarism is what everyone claims when they’re found guilty of plagiarism… NOT. Kidding. Accidental plagiarism is what it is if I don’t credit this article for helping me structure this part of the content. Accidental plagiarism occurs when the artist unintentionally missed out on citing the original source of inspiration. Aditi Gupta’s element-to-element knock off turned out to be a “design-team” endeavour without the owners realising it was plagiarism.


Every design is inspired from something or the other. Nature is the mother of every inspiration. The tangible aspects of every single design sold out there are ALL primary made of the most basic elements of nature – point, line (angular/curved), shape (geometric/organic), colour (only so many colours our eyes can sense) and so on. Every designer combines one or more these elements using the principles of designs like proportions, balance or rhythm to eventually arrive at the final design. It is very much possible that sometimes a design resembles another on basis of sheer coincidence.

There is always a possibility that Huemn’s Margiela look alike was mere coincidence. Because playing with shirt collar and sleeves is somewhat common especially with regards to deconstruction as a technique in fashion design, but the resemblances otherwise is too good for a coincidence.

In the era of trend books and organised fashion establishments, design process itself has become much like a common code programmed on robots. They all study and refer to more or less the same trend books and manufacture the same trends and you’ll see similar designs selling at the same point of time – which is what makes them trends at that point of time and fashion media will tell you to buy them because it’s trendy. Fashion is merely a reflection of the society, perhaps a society of unoriginal clones abusing resources with easy manufacturing facilities.

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Lungi Breaking Off Chains

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Desperate Letters To NIFT New Delhi

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My previous account on the dark realities of neo-elitism at NIFT was met with polarised opinions. Firstly, quite a lot of students who identified with the article shared and thanked me for writing it. A few others who had more comfortable ride went on to comment their privileges and told how I made a mountain out of mole hill. Everyone’s entitled to their opinions and expressions. The average Joe says, don’t judge me until you walk in my shoes. I say, go ahead and spit out your judgements for you can never walk in my shoes.

 

After writing several sane & formal unanswered letters in paper to officials at NIFT, I happened to write this one last letter over email (dated: 2009) – A total emotional mess – infuriated, suicidal & helpless – DESPERATE AF but HONEST.

 

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from: PURUSHU.R.V *********@gmail.com
to: dg@nift.ac.in
date: Wed, Jul 15, 2009 at 3:22 PM
subject: Iam blindly given RE-SEM for NIFT’s mistake!
mailed-by: gmail.com

 

Sir/Madam

Iam R V Purusothaman, studying in Foundation Programme, Batch-5, NIFT New Delhi. I have no mistake from my side. Iam blindly being punished with a REPEAT SEMESTER for the semester Jan 2009 – May 2009. I had written numerous letters to the Director General. I have received no reply from him till date. I’ll have to take LEGAL ACTION, if this injustice prevails.

SERIOUS ILLNESS

I am a 6 ft tall man, who is 30 Kg underweight. I wasn’t like this earlier. I suffered from serious Typhoid and Chicken Pox back to back during the period January 2009 to March 2009. During January, I used to intake 12-15 tablets a day! I had to just feed on plain rice and bread. There were times, when I used to faint on the way to college. I slowly recovered from the typhoid during the end-February. But, I once again suffered from serious chicken pox where my health was rotten this time, as I had just recovered from typhoid. I was completely out of energy. Hence I could not attend many classes during the period as my health was f**ked up. But, still I was at least regular in all my submissions. I submitted all the assignments that i missed out during my absence.

ATTENDANCE SHORTAGE IN EOD (Elements of Design)

Due to the illness, though my overall attendance was up to mark, I fell 8% short of attendance than required in Elements of Design subject. Shortage of attendance would lead to many problems. Hence I submitted all my medical certificates. Still I coped up with all the submissions and exams including the MID-SEM exam that I missed during the period of my absence.

ROLE OF MRS. USHA NARASIMHAN

Mrs. Usha Narasimhan, my centre coordinator asked me not to attend few classes doubting that I may not be fit enough to attend the classes. Though she promised me that she’ll give me attendance in my absence, she never did so.

I produced all my medical certificate and documents to her, and she kept promising that I can cope up with my attendance as I have a genuine medical reason. She promised and reassured me of giving attendance in EOD, as fell short of attendance in it.

I asked her to give me EXTRA TUTORIALS, as she didn’t give me the attendance till the end. She again denied that citing that I had medical reason, and no one can stop me from giving my final exam.

The lady finally ditched me, denying everything. She asked me to wait, wait and keep waiting. The results are out now. Even today when I called her she asked me to keep waiting.

FOOLISNESS OF NIFT

I was granted hall ticket in spite of shortage of attendance as I had a genuine serious medical reason. I was finally granted attendance in EOD. I spent hell a lots of money and finally gave every exam, one by one. But, the thunder struck before my ITP(Integrated Term Project) Exam! My hall ticket was confiscated from me!

The college authorities announced in the LAST MINIUTE that my medical certificate has been rejected by the Director General. Hence, I cannot give the exam, and what else?? They wanted me to REPEAT THE SEMESTER!

IAM PUNISHED FOR NO MISTAKE FROM MY SIDE

All the money that I spent went in vein. I wrote numerous letters to many officials including the Director General, Registrar etc, explaining my situation that I was innocent and did not deserve to be punished. But I did not receive any reply from any officials.

I didn’t do any mistake.

Falling ILL isn’t my mistake!!

I was just 8% short of the required attendance without the medical credits, that too in one subject. My overall attendance was up to the mark even without the medical credits!

AM LEFT HELPLESS!

I hail from a middle class family and study with educational loans. If this stupid RE-SEMESTER decision taken by the college is finalized, then the banks would stop funding me. I cannot continue my education any longer!!

I had given all the submissions that I had missed out during the period of my absence. I even gave the MID-SEMESTER exam that I missed out. I have one of the best hand, work and talent in my batch. What else does a college need from me? Is shortage of attendance a justifiable reason to flunk a student?? They flunk students just to earn money from him?? Snatch money in the form of extra fees? Don’t they have brains to realize that this may damage the student’s career?

They have punished me for no mistake from my side!

It’s college’s mistake in fact!

MY QUESTIONS THAT COLLEGE SHOULD ANSWER

How can my centre coordinator promise me and reassure me that I’ll get attendance for medical reasons, and now finally backing out?
How can my centre coordinator ask me not to attend the classes and mark me absent?
How can a college change its rule, just one day before the examination?
How can a college reject my medical certificate just one day before the examination?
How can college give me a REPEAT-SEMESTER for falling 8% short of attendance in one subject??
I had given all my submissions. I even gave the mid-semester exam that I missed out. What else does the college want from me?? What does the college expect from an ill student who is seriously diagnosed with dangerous communicable disease?
Why didn’t I receive any reply to any of my complaint letters?

I want answers to all these questions. Let the college justify that I should be flunked and not given a chance.

 

***

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Giveaway – Purushu Arie Gender Neutral Clothing Worth INR 11,000

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David Foster Wallace This is Water

 

Time only seems to slip by like water. Living is merely building bridges to tomorrow, and perhaps burning down a few. Today is the bridge to tomorrow. This is water. David Foster Wallace’s words, one of the greatest commencement speeches ever, was something new I stumbled upon this year and yep, we’re two lost souls swimming in a fish bowl year after year. And as another year is set to bid adieu, we have to keep reminding ourselves over and over: This is water. This is water. This moment is a span we carry for a lifetime.

 

It’s almost a decade now since I first stepped inside the NIFT New Delhi campus and at this moment ten years feel real fast. It took around four years since graduation to set up my fashion label and four years feel real long. Our sense of scale of time is as mercurial as what lies ahead. Earlier this year I set myself a vision to celebrate individuality by proposing neutrality of race, age, appearance and every other cultural conditioning and differences through my art. And with that vision, I launched Purushu Arie gender neutral fashion line, where the clothes don’t carry a menswear or womenswear tag. The significance of what’s drained and what’s earned from launching the label has been immense on me. I singularly foresaw every work from redoing the website to cutting and stitching every sample and it was a considerable experience this year.

 

The queries in response to a gender neutral fashion label are inexhaustible but I bother to explain every time. For a society which lays down profound rules of gender norms & roles, my lookbook merely features a muscular man wearing women’s clothes. Why is he wearing women’s clothes? These styles will look great on women. Maybe. But they can look just as great and functional on a man too. Explaining gender neutrality in a gender-normative society is a never ending process but that’s something I’ve knowingly or unknowingly signed up for – dialogues & discussion. Dialogues can potentially lead to reforms. Post-Genderism: A Non-Binary Gender Neutral Revolution Facebook group was launched with an intention to discuss, learn, inspire, encourage and help one another to look beyond the binary notion of gender.

 

In case, it still doesn’t ring a bell, read these for starters:
Post Genderism Terminology & Etymology
Why We Wear What We Wear
Hegemonic Masculinity & Emphasized Femininity

 

Purushu Arie Gender Neutral Fashion

Gender neutral fashion is a simple idea where gender norms & roles don’t influence your style. With New Year festivities around the corner it’s your chance to have something new in wardrobe – I’m giving away two Purushu Arie gender neutral styles worth INR11,000. Please find the rules/guidelines below:

  1. Tag a Gender neutral ally on Facebook or Instagram post.
  2. Giveaway is open only to follower of Purushu Arie on Instagram (@PurushuArie) or Facebook (@PurushuArie)
  3. People living in India are eligible to participate.
  4. The contest will end at 11:59PM, 12th January 2018.

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Diversity Report: Representation of Women in Indian Fashion Magazine Covers in 2017

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Fashion magazines, guilty of a very ugly past have appropriated empowerment & ethics in recent years. Back in April 2010, Vogue India’s cover titled The Dawn of Dusk was covered in large-scale media as the most prominent voice in India against beauty ideals and prejudice. “ELLE stands for: diversity, inclusiveness and empowerment” reads the magazine’s description. How well has the leading Indian fashion magazines fared in putting their words to action? Here’s the diversity report of representation of beauty and women in Indian fashion magazine covers in 2017.

 

Magazines Analysed: ELLE, GRAZIA, HARPER’S BAZAAR, VERVE & VOGUE

 

TOTAL NUMBER OF WOMEN REPRESENTED: 72

Total Women 0

  • VOGUE: 21 Women / 5 Men
  • ELLE: 12 Women / 0 Men
  • GRAZIA: 16 Women / 1 Man
  • HARPER’S BAZAAR: 12 Women / 0 Men
  • VERVE: 11 Women / 1 Man

AVERAGE AGE: 33

YOUNGEST 5:

  • Madhulika Sharma, Model, Age: 19
  • Navya Nanda, Grand-daughter of Bollywood actors, Age:20
  • Lottie Moss, Model, Age: 20
  • Urvashi Umaro, Model, Age: 20
  • Kendall Jenner, Model, Age: 22

OLDEST 5:

  • Iris Apfel, Businesswoman & interior designer, Age: 96
  • Jaya Bachchan, Actor, Age: 69
  • Sridevi, Actor, Age: 54
  • Nita Ambani, Businesswoman, Age:54
  • Padma Lakshmi, Model turned TV Host, Age: 47

 

REPRESENTATION OF DARK/BLACK SKINNED WOMEN: ZERO

COLONIAL WHITE SKIN HANGOVER?

  • Light Skin

  • Brown Skin

  • Dark Skin

Light Skinned Women: 46 (of total 72) or 64%

Brown Skinned Women: 26 (of total 72) or 36%

Dark Skinned Women: 0 (of total 72) or 0%

 

PERCENTAGE OF LIGHT SKINNED WOMEN

Verve 0

Grazia 0

Total 0

Vogue 0

Elle 0

Harper's Bazaar 0

100% of the foreign origin women were white skinned.

INDIAN FASHION MAGAZINES CHASE GORA MEMSAABS WHEN THE COVER STAR IS FOREIGNER OF NON INDIAN DIASPORA.

 

UNREALISTIC BODY IDEALS

50-60% WOMEN ARE PLUS SIZE IN REAL LIFE WHEREAS 78% INDIAN FASHION MAGAZINE COVER GIRLS FEATURED SLIM/SKINNY/PETITE BODIES.

0% PLUS SIZE WOMEN WERE FEATURED IN INDIAN FASHION MAGAZINE COVERS IN 2017.

  • Slim

  • Medium

  • Plus Size

  • Pregnant Body

ONLY VERVE MAGAZINE FEATURED MORE WOMEN OF MEDIUM BUILD BODIES (6) THAN SLIM/SKINNY/PETITE BODY (5).

 

ELLE

  • Slim

  • Medium

  • Pregnant

 

GRAZIA

  • Slim

  • Medium

 

HARPER’S BAZAAR

  • Slim

  • Medium

 

VERVE

  • Slim

  • Medium

 

VOGUE

  • Slim

  • Medium

 

 

ARE SUCCESSFUL STYLISH BEAUTIFUL INDIAN WOMEN FOUND ONLY IN BOLLYWOOD?

PROFESSIONAL MODELS, THE REAL BODY & FACE OF FASHION INDUSTRY (REPRESENTING A MEAGRE 26% OF THE COVER GIRLS) WERE SIDELINED TO BOLLYWOOD LOBBY (62.5% OF ALL COVER GIRLS).

  • Bollywood

  • Model

  • Actor (Non-Bollywood)

  • Sportsperson

  • Businesswoman

  • Architect

REPRESENTATION OF BOLLYWOOD WOMEN*

*Includes daughters & wives of Bollywood stars featured on the cover.

  • VOGUE: 76% 
  • ELLE: 58%
  • GRAZIA: 69%
  • HARPER’S BAZAAR: 33%
  • VERVE: 63%

NEPOTISM MUCH? 1 OF EVERY 2 BOLLYWOOD WOMEN FEATURED ON VOGUE COVER ARE STARKIDS BORN INTO BOLLYWOOD FAMILIES. 

REPRESENTATION OF NON-BOLLYWOOD INDIAN ACTORS: ZERO

 

REPRESENTATION OF WOMEN FROM NORTH EAST INDIA: ZERO

 

UPDATE: The following article was shortlisted among the top 20 fashion blogposts of the week Feb 8th, 2018 by Independent Fashion Blogger community. Read the stories below:

Links à la Mode, February 8th, 2018:

SPONSOR: Shopbop, Rachel Comey, Tibi Tops, Alexander Wang Bags, Flora Nikrooz, LGR, F.R.S For Restless Sleepers, Fanny Packs, Sequin Dresses, Mixed Metal Jewelry, Men’s Salvatore Ferragamo

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Mustache Under My Nose-Ring #PurushuAriePeople

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Class & Caste Politics of Ponnadai/Thundu (Shawl/Towel)

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THE GOLDEN CLOTH

PONNADAI

noun

A traditional silk weave wrapped over shoulders to honour dignitaries.

Origin: Thamizh, Ponn (gold) + Adai (cloth)

Former Tamil Nadu Chief Minister O. Panneerselvam felicitating Prime Minister Narendra Modi with ponnadai.

Former Thamizh Nadu Chief Minister O. Panneerselvam felicitating Prime Minister Narendra Modi with ponnadai. Image: O. Panneerselvam

 

Christopher J. Nassetta, president and CEO, Hilton Worldwide with the Ponnadai to honor dignitaries at Hilton Chennai.

Christopher J. Nassetta, president and CEO, Hilton Worldwide with the Ponnadai to honor dignitaries at Hilton Chennai. Image: ©Hilton Honors

Carnatic music guru Chitravina Narasimhan honoured with ponnadai.

Carnatic music guru Chitravina Narasimhan honoured with ponnadai. Image: Mylapore Times

So far, the ponnadai (teamed with bouquet) has been the numero uno choice to welcome dignitaries in Thamizh Nadu. From politicians to musicians and even businessmen, any guest worthy of warm respectful welcome poses for the shutterbugs in bling struck silk ponnadai, often featuring elaborate brocades. A ponnadai can cost anywhere from few hundred rupees to thousands. Several lakhs are spent on ponnadais during election season alone in Thamizh Nadu and a similar stellar budget is allocated for these shawls by sabhas during music season in the state. According to The Hindu, Sri Krishna Gana Sabha, for instance, spends, on an average, Rs.20,000 for the season alone and another Rs.60,000 for the events it conducts round the year.  What happens to these shawls once the dignitaries are done posing for the photographs? “They’re probably sent back to the store,” laughs off Shabbir Ahmed, TN Bureau Chief, Times Now.

“There was a theory some years ago that the shawl draped around you today is perhaps a second hand one, something an earlier recipient disposed of in the flea market. I am informed by a very reliable source that this is standard practice in the film industry,” cites a Deccan Chronicle report. Handing out used shawls without the knowledge is an atrocious insult to the innocent guest. Even otherwise, what use can the ponnadai be put to other than the receiver giving it away? Chennai’s former Mayor M. Subramanian reportedly distributes all the ponnadais to slum-dwellers before Pongal. Violinist Kunnakudi Vaidyanathan has said in public forums that he makes kurtas out of ponnadai.

The ponnadai is rather new addition to the glorious Thamizh culture which spans over several thousand years. For a large part of history, men and women in India predominantly left the upper body uncovered owing to comfort in hot and humid weather. The concept of covering the torso was prominent only among the elite upper caste individuals who could afford the clothing. In history, the elite Brahmins of Thamizh Nadu wrapped their shoulders with a single piece of cloth known as angavastram (body-garment). Like in many other cases, the costume was reserved only for select upper caste sections till modern Indian history.

Costume of jewellers in Madras, British India. Photo: Indulge Express

Upper caste jeweller wearing shawl in Madras, British India. Photo: Indulge Express

 

Thamizh Brahmin priest wearing Angavastram

CASTEIST ELITIST ROOTS

The thundu/ponnadai culture didn’t gain prominence in Tami politics till social reformer Periyar Ramaswamy publicly called out the caste dichotomy involved in the clothing practice:

In the 1940s, Dravidian movement founder EV Ramasamy was invited for a music function. The artist who was playing the Nadaswaram was sweating profusely and was wiping his face often with a towel that he had kept by his side. After some time, the Nadaswaram player got sick of picking the towel and placed it on his shoulder for pure convenience. Now, the sponsor of the show, an upper caste zamindar of the area, was offended by this defiant act of the lower caste nadaswaram artist. He openly and loudly ordered the musician to remove the towel from his shoulder.

EVR, a social reformer, condemned the zamindar’s attitude and walked away. The next day on, Ramasamy requested all Dravidar Kazhagam members to wear a thundu (towel) in protest against the upper caste attire of angavasthram (a long ornamental towel).

Excerpt from India Today

 

Following this instance, Periyar and fellow Dravidian ideologues chose to wear the common man’s thundu, a traditional cotton towel with kara borders in protest against the elitism inherent in angavastram clothing. From there on, towels/thundu emerged as the raging iconography of Dravidian politics that vehemently opposed Brahmanical supremacist hegemony. Everyone from Periyar, Anna, MGR, Kalaignar to contemporaries like Vaiko have worn kara veshi and kara thundu.

Kalaignar Karunanidhi (left) & MGR (right) wearing "thundu" - The Dravidian political iconography of protest against casteism & elitism. Image: Frontline & Outlook

Kalaignar Karunanidhi (left) & MGR (right) wearing “thundu” – The Dravidian political iconography of protest against casteism & elitism. Image: Frontline & Outlook

 

LOST IN TRANSLATION

The thundu which once stood for equality was soon unfortunately hijacked by political class elitism. The humble towel became a tool to acknowledge political class hierarchy where party cadres and workers were given simple cotton warps whereas the top leaders and dignitaries were welcomed with expensive silk variations – the ponnadai. Today, the ponnadai culture is increasingly perceived as an inglorious celebration of political class hierarchy in Thamizh politics.

The post Class & Caste Politics of Ponnadai/Thundu (Shawl/Towel) appeared first on Purushu Arie.

Finding Gucci Turbans & Hijabs offensive? Breathe in, breathe out & CHILL!

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Tom Ford’s Gucci offended people back in late 90s for excessive skin & sexuality. In twenty-something years time, Gucci continues to offend people, this time for doing the polar opposite – covering up even the hair & neck. The turbans and hijabs at Gucci FW18 took the Twitter by storm on myriad of charges ranging from hurting religious sentiments to appropriating cultures. The range of criticism was almost as vast as the cultures that went into Gucci’s winter 2018 range that dealt with reconstruction of identities and self-regeneration in the tech-savvy era.

HIJAB & TURBANS – NOT JUST EASTERN

The custom of wearing turbans or veiling the head precedes the origin of both Islam and Sikkhism itself.  Orthodox Jewish women & Christian women veiled their faces & covered hair even before the practice gained significance in Islam.

Head coverings in different cultures across the world.

(Left to Right) Top: Gucci FW2018, Bottom: Roman Vestals, French queen, Anna (Anne) of Kyiv & Jewish women’s wrap (izar) and face veil (khiliyye)

 

Turbans from myriad of cultures: (Clockwise) Sikh turban at Gucci FW18, Native American turban, African turban, Indian-Kutch style turban.

Turbans from myriad of cultures: (Clockwise) Sikh turban at Gucci FW18, Native American turban, African turban, Indian-Kutch style turban.

However hijab & Sikh turbans aren’t any other head-covering, but a cultural costume with religious significance. Amena of Fashionopolis states that Hijab is not just Eastern, it is Islamic. “Islam as a religion may have originated from the Middle East but it is spread across the globe,” she clarifies. Amena, a non-hijabi practising Indian Muslim makes it clear that Hijab doesn’t just belong to brown skinned Middle Eastern natives but to Muslims of every nationality, ethnicity & colour – including white.

I don’t believe that a Punjabi Sikh girl wearing hijab or Muslim man wearing Sikh turban will raise eyebrows but Alessandro Michele’s Gucci vision – white people in turban – That has offended the internet. It almost sounds like even at least two actual Sikh models could have actually balanced the model casting with styling. But what if Alessandro Michele’s vision was to actually showcase WHITE people in turbans/hijabs and NOT brown people? He has every right to his artisanal vision.

OFFENSIVE TO RELIGIOUS SENTIMENTS?

In fact, I couldn’t help but wonder if Alessandro Michele just included a bit of every religion to see which religion is offended the most? For those who are still clueless, Hindu Goddess Kali used severed head as an accessory for photo-ops much before Gucci did. The third eye was yet another reference to Hindu origin philosophies. Drawing elements from clothing of Sikkhism, Islam, Judaism, Christianity and Hinduism, there was a bit of every religion at Gucci.

Possible Shiva-Shakthi inspiration at Gucci FW 2018?

Possible Shiva-Shakthi inspiration at Gucci FW 2018?

 

Religion has always influenced fashion. We have Shiva tshirts, Om pendents, (Hindu) Swastik print kurtas selling as uber cool mass-fashion in India. Religious art and iconography has inspired numerous collections on runways in West.

Religion on Runway - Left: Lord Krishna at Manish Arora, Right (top): Guo Pei Haute Couture, Right (bottom): Dolce & Gabbana

Religion on Runway – Left: Lord Krishna at Manish Arora, Right (top): Guo Pei Haute Couture, Right (bottom): Dolce & Gabbana

 

 

 

 

“Dear @gucci, the Sikh Turban is not a hot new accessory for white models but an article of faith for practising Sikhs. Your models have used Turbans as ‘hats’ whereas practising Sikhs tie them neatly fold-by-fold,” Tweeted a Sikh user.

 

The actual question however is: Does Sikkhism boycott white people from wearing the Turban as hot new accesory that aren’t worn neatly fold-by-fold? I’ve never heard such claims before.

 

LOST IN TRANSLATION?

Not giving the necessary credits to the respective indigenous cultures or misrepresenting that particular culture is one way to not appropriate culture. Hijab for instance represents modesty, not just physical aspect of how much skin is to be covered but psychological aspects too – simplicity in general. “A lot of hijabis do lead simple and modest lives. Women of all classes would buy them in different ranges. What acted as a unifier is the way they would wear it and their religious reasons,” explains Amena.

Ideally, expensive extravagant designer hijabs just don’t exactly represent the philosophies going into hijabi lifestyle. The core meaning of the religious costume is lost in translation. But is Gucci to blame? Nope, the hijab was distinguished on basis of class & price even before Western designers picked up the trend of minting money on Eastern cultures. “Even before D&G and other brands created hijab lines a wide variety of hijab in different price range were already available. Designer hijabs were always available. It is only now the global fashion industry wants to cash in on it.” says Amena.

 

GUCCI’S GENDER NEUTRAL VISION

It was a breath of fresh air that Gucci envisioned a gender neutral approach towards turbans & head covering as opposed to the sexist-disparities inherent in application in ground reality.

 

CULTURAL APPROPRIATION ISN’T ALWAYS INAPPROPRIATE

Cultures were always exchanged, and will be exchanged even more vigorously than ever before in Twitter era. Western brands need to learn to draw the line between representation & misrepresentation. People of colour need to chill with white people’s inclination towards our cultures.

Amena welcomes inclusivity of cultures like in case of Hijabi Barbie. “I welcome it. I feel representation is important and this goes a long way in helping normalise a culture that may have looked like alien for a long time,” she explains. Amena however quickly points out how it’s also important to not misrepresent the cultures. “With brands like D&G creating hijab lines, it makes hijab more mainstream and on some levels it does get misrepresented by elite section of fashion industry, especially by those who have no knowledge and understanding of Islamic culture. Yes, there is a lot of cultural appropriation of the hijab by western media and organisations. The worst is how they use it to stereotype a Muslim woman. I think they need to stop using hijab as an only symbol to show Muslim women,” she adds.

 

No single individual owns a culture but we all inhabit the cultures. However, misrepresenting cultural history is a tool to erase or alter cultural knowledge and expressions. It is important for cultural exchanges to happen on an even playground. Cultural Appropriation is portrayed in negative light owing to the plundering and exploitation of colonised cultures.

 

Roxanne D’Souza of HeadToHeels states, “I get the part where brown people especially in turbans are racially profiled and have faced problems because of their turbans, but I see this move as normalising it by putting it on a runway.”

 

NRIs/Indians might as well stop pretending like Western world is the only place where Sikh people or Muslims face discrimination. Crimes against Muslims have dangerously increased in recent years in India.  Bollywood has under-represented & made bigger caricature of Sikh people in past than Gucci ever did. There were more turbans on Gucci’s FW18 runway than the number of lead actors who ever donned one in Bollywood. To me, Gucci’s turbans are just as offensive as Ranbir Kapoor’s turban in the Bollywood flick Rocket Singh – no offence taken.

 

Eventually what every individual wants is personal freedom to live life on their terms. We achieve that personal freedom by standing up against cultural moral policing, not by dictating what a white person should wear or not wear. I am an Indian who is glad to be an individual raised with multi-cultural values. And white people, please don’t hesitate to wear the sari if that’s your choice, pretty much the way I wear shirt & trousers, because: my choice. In a world where we are building walls, it is art and culture that binds us together.

 

UPDATE: The following article was listed among Independent Fashion Bloggers community’s top 20 blog posts of the week March 1st, 2018. Find all the links below:

Links à la Mode, March 1st, 2018

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